Basically just messing around with some travel pictures from the summer school I worked at in Turkey – we did an excursion to this wonderful marble canyon. The walls were as sensuously curved as Classical sculpture, but there was a wildness too… Well, I was there at midday and the light was only so-so, and I was just scanning through my Lightroom presets and thought some X= presets (I have one called X=Polaroid+Blue but can’t find it on their site now; it might be a mod I did) made the stones look eerily bone-like. So I picked out about a dozen images that suited the style, applied that preset, and then played with them until I liked them.
I’ve been struggling a bit with decisions about how extreme to go in post processing. Mainly, the rise of Instagram and quickie filters for cameraphone images now means that there’s a lot of work out there in a style I generally like – blurry, impressionist, old-fashioned… but done horribly. Cheaply. Badly. Flat colors, dead tones, lifeless imitations.
I don’t use them incredibly often, but I have a Lensbaby Original and a pinhole plate for my Canon 60D. Using the Lensbaby is like painting with fat, sloppy oils using long-bristled brushes. Not precise – not at all! – but beautiful in its imprecision. I think the software imitations are on par with those “Turn your photo into a real sketch!” apps out there – there’s just no substitute for attention to process, detail, skill, and simple passion.
Well, here’s the rest of the set. You can find them at in the Saklikent Dreaming Gallery if you don’t see the embedded slideshow below.
Saklikent Abstracts – Images by Kira Hagen
